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Jean-Baptiste-Camille Corot PDF Print E-mail
Artists - Painters
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Wednesday, 03 October 2012 18:48

Jean-Baptiste-Camille Corot (French pronunciation: [ʒɑ̃ ba.tist ka.mij kɔ.ʁo]) (July 16, 1796[1] – February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.

 
French artists PDF Print E-mail
Artists - Painters
Written by art   
Wednesday, 03 October 2012 15:15

Middle Ages

Last Updated on Wednesday, 03 October 2012 18:53
 
Jean-Louis André Théodore Géricault PDF Print E-mail
Artists - Painters
Written by art   
Wednesday, 03 October 2012 18:46

Jean-Louis André Théodore Géricault (26 September 1791 – 26 January 1824) was a profoundly influential French artist, painter and lithographer, known for The Raft of the Medusa and other paintings. Although he died young, he became one of the pioneers of the Romantic movement.

Born in Rouen, France, Géricault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Guérin, a rigorous classicist who disapproved of his student's impulsive temperament yet recognized his talent.[1]

 
Jean-Auguste-Dominique Ingres PDF Print E-mail
Artists - Painters
Written by art   
Wednesday, 03 October 2012 18:42

Jean-Auguste-Dominique Ingres (French: [ʒan‿oɡyst dɔminik ɛ̃ɡʁ]; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognized as his greatest legacy.

A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eugène Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator."[1]

Last Updated on Wednesday, 03 October 2012 18:43
 
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